1973年に、彼女は彼女が自分自身を印刷するグラフィックスに彼女の才能を捧げます。 彼女の家の中心である厚手のプレスは、彫刻の拠点である無限の小さな形に囲まれています。 彼女の永久的な創造は空（禅として）が今日多くの公共（パリの近代美術館...）と私的なコレクターによって求められている彼女の現代の表現を調和させる紙（アーチ）の全面を使います。

Born 1944 in Paris, P.J. enters at the age of 17 at the Ecole Nationale des Beaux-Arts de Paris where she received an academic and modern drawing, painting and sculpture education. Once graduate, she realizes for an architect office mural paintings and tapistries. These arts are based on technical exigences which condition henceforth all her work.

In 1973, she devotes her talent for graphics which she prints herself. A heavy press, the center of her home, is surrounded by an infinity of little shapes, bases for her engravings. Her permanent creation uses all surface of the paper (Arches) where emptiness (as Zen) harmonizes her modern expression seeked nowadays by numerous public (Musée des Arts Modernes de Paris...) and private collectors.